Chelsea College of Arts, University of the Arts London, is delighted to be hosting ‘Colour, Emotion, Non-Figuration: John Hoyland Revisited’ Symposium. Coinciding with a major exhibition of Hoyland’s paintings at Damien Hirst’s newly opened Newport Street Gallery, the day will explore Hoyland’s art and times, while opening his painting up to new perspectives and the peculiar pressures of the ‘expanded field’ in which art now operates. The day, scheduled for February 2016, welcomes approaches beyond the traditionally academic, and will include contributions and discussion between artists, art historians and writers.
Outlines (up to 300 words) of short presentations are invited. Presentations could focus directly on Hoyland and discuss the ideas and forces which shaped him as an artist, or they could examine contexts in which he and his contemporaries worked. We are also keen to see proposals which use Hoyland’s art to shed light on the condition of painting today, which reflect his role as an art teacher, or which respond to his position as something of an outsider or renegade in relation to the art establishment.
Submissions are invited which explore one or more of the following themes:
- Colour and emotion in abstract art
- Making painting and thinking painting: between sketchbook and studio
- Materiality in sculpture and painting
- Abstract, abstraction, non-figuration
We would like to see proposals that concisely get to the heart of their subject. They do not have to be academic, and could take the form of artist’s talks, performances or experimental events. We would also welcome proposals for group discussions. Paintings by Hoyland will be loaned by the estate, so there will be the opportunity for presentations to take place in front of the specific paintings to which they refer.
Please submit proposals to email@example.com
Closing date for submissions EXTENDED: 16th November 2015